From a creative perspective, it builds upon concepts and ideas formulated earlier by composers Jean-Claude Risset and Denis Smalley, centred around the interpretation of timbre and sound as constructs which actively inform compositional decision-making and structuring processes. Instead, the aim was to explore in depth the creative possibilities of technical research carried out by others and to show that it can be utilised in a form which aids my own creative practice. ![]() It should be made clear from the outset that the primary objective of the research was not to add any novel scientific knowledge to the field of physical modelling. ![]() To this end, a software library has been developed for the purpose of the real-time simulation of systems of inter-connected 1D and 2D objects, which has proven to be indispensable for producing the music works. This thesis accompanies a portfolio of compositions and, in addition, discusses a number of compositional approaches which use physical modelling and physically inspired sound synthesis methods for the creation of electroacoustic music.
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